Deadpool & Wolverine

Production Company: Marvel Studios
Distributor: Walt Disney Studios
Format: Feature Film
Year: 2024

Production VFX Supervisor: Swen Gillberg
Production VFX Producer: Lisa Marra

Key Vendor Supervisors / Vendor Leads:

• ILM: Vincent Papaix (ILM VFX Supervisor), Josiane Fradette (ILM VFX Producer)
• Framestore: Matthew Twyford (Framestore VFX Supervisor — major shot work)
• Rising Sun Pictures: Jamie Macdougall (RSP VFX Supervisor)
• Wētā FX: Daniel Macarin (VFX Supervisor — animation & facial work)

Role — Additional 2nd Unit Supervisor

On Deadpool & Wolverine, I worked as an Additional 2nd Unit Supervisor, supporting the execution of action-heavy and VFX-driven sequences while maintaining continuity, safety, and efficient coordination across second unit shoots.

Key Responsibilities

• Supported second unit direction and daily shoot operations
  
• Coordinated between camera, stunts, VFX, special effects and safety teams
  
• Managed schedule flow, setups, and scene transitions for second unit shoots
  
• Maintained continuity between main unit and second unit sequences
  
• Assisted with real-time problem solving on high-intensity action days
  
• Supported data capture and handover for VFX-heavy material
  

Notable Contributions

• Supported complex stunt and action sequences
  
• Helped maintain continuity across multi-unit action shoots
  
• Contributed to keeping production on schedule under tight turnarounds
  
• Maintained clear communication between departments during high-pressure days
  

Skills Demonstrated

• Second unit production workflow
  
• Stunt & action sequence coordination
  
• VFX-driven shoot operations
  
• Set logistics & scheduling
  
• On-set problem solving
  
• Cross-department communication
  

Outcome

Deadpool & Wolverine was delivered as a large-scale Marvel feature, with second unit sequences captured efficiently and consistently for seamless integration into the final film.